An Older and More Beautiful Belgrade
Author(s): Mileta Prodanovic (Author), Robert Horvitz (Editor), Maria Milojkovic (Translator)
- Publisher: Central European University Press
- Publication Date: July 31, 2023
- Edition: 1st
- Language: English
- Print length: 226 pages
- ISBN-10: 9633866308
- ISBN-13: 9789633866306
Book Description
This substantial essay depicts urban collapse in an exceptionally difficult period of the Serbian capital. The author has marshalled facts, reflections, photographs and other imagesto demonstrate the transformation of Belgrade during the Milošević years. With the theoretical grounding of cultural anthropology, history studies, culture of memory, history of art, and urbanism, Mileta Prodanović considers changes to the built environment and urban landscape in the city in the 1990s. He covers many visual aspects of life with great ingenuity: shopping centers, unregulated construction and “wild” modifications of buildings, new buildings (broadcasting studios, shops, homes) that do not fit the surroundings, bad taste in home furnishings (camp, kitsch), boondoggles such as the international art center, problematic historical markers like the obelisk of the eternal flame, billboards, store displays, electoral propaganda, graffiti, grave-markers and cemetery memorials, coins and paper money, calendars, beer labels, and even religious icons (and more). All this information is provided with some critique and much implied comparison to past standards.
Editorial Reviews
Editorial Reviews
Review
https://www.degruyter.com/document/doi/10.1515/soeu-2024-0020/html―Irena Šentevska, Comparative Southeast European Studies
“The book is a classic in analyzing the urban transformation and destruction of Belgrade during the Milošević years. It shows how in the shadow of the war, the Milošević regime sought to destroy the vibrant multinational and metropolitan fabric of Belgrade and the resistance to it. It is an astute observation of the political contestation of an urban landscape from buildings, billboards, graffiti, improvised, vernacular architecture and even typeface. It is not just a book about a past historical episode, but as Serbia and other countries of former Yugoslavia continue to experience authoritarian and nationalist regimes, new projects from Belgrade waterfront to Skopje 2014 have sprung up, showing that the contestation of urban spaces remains more relevant than ever.”
―Florian Bieber
“Mileta Prodanović’s book is an absolutely original contribution to the social sciences and humanities, in its methodology as well as its interpretations and results.” – From the “Foreword”
―Milena Dragićević Šešić
About the Author
Mileta Prodanovic — painter, writer and a major cultural figure in Serbia — was born in Belgrade. He studied architecture and painting at Belgrade’s University of Arts, Faculty of Fine Arts. Prof. Prodanovic was Serbia’s representing artist at the Venice Biennale in 1986. Retired now, the author’s last academic positions were as a full-time professor and Dean of the University of Art, Belgrade.
Maria Milojkovic lives in Belgrade and works as an English/Serbian translator. She has a master’s degree in postmodern English literature and is an online content creator for Medium.com
A US citizen living in Prague since 1991, Horvitz began visiting Serbia and the other Yugoslav republics in 1993 as the Open Society Institute’s regional consultant for electronic media and journalism. More recently he has been producing policy studies for the European Commission, the World Bank, the International Telecommunication Union, and national governments on the regulation and use of radio frequencies. He currently teaches at Anglo-American University in Prague.
